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Alfred Sisley Landscape at Louveciennes oil painting


Landscape at Louveciennes
Painting ID::  54598
Alfred Sisley
Landscape at Louveciennes
mk235 1873 Oil on canvas 54x81cm

   
   
     

Alfred Sisley The Saint-Martin canal in Paris oil painting


The Saint-Martin canal in Paris
Painting ID::  54599
Alfred Sisley
The Saint-Martin canal in Paris
mk235 1870 Oil on canvas 50x65cm

   
   
     

Alfred Sisley the moret bride in the sun oil painting


the moret bride in the sun
Painting ID::  56349
Alfred Sisley
the moret bride in the sun
mk247 1892,oil on canvas,23x28 in,58.5x71 cm,private collection

   
   
     

Alfred Sisley Lane Near a Small Town. Alfred Sisley, oil painting


Lane Near a Small Town. Alfred Sisley,
Painting ID::  60884
Alfred Sisley
Lane Near a Small Town. Alfred Sisley,
Lane Near a Small Town. Alfred Sisley, c. 1864.

   
   
     

Alfred Sisley Bridge at Villeneuve la Garenne. oil painting


Bridge at Villeneuve la Garenne.
Painting ID::  60885
Alfred Sisley
Bridge at Villeneuve la Garenne.
Bridge at Villeneuve-la-Garenne. 1872. Alfred Sisley. New York: Metropolitan Museum of Art.

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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